La Noche de los Libros

ROLE
UX Designer
UI Designer
Front-end Developer
DELIVERABLES
Website Redesign
Website Development
TOOLS
Figma
HTML, CSS, JS
Supabase (PostgreSQL)
About the project
Background
La Noche de los Libros is Madrid’s flagship literary festival, a city-wide celebration that brings authors, readers, bookstores and institutions together every spring. While the festival has evolved, the website hadn’t kept pace. Navigation was confusing, much of the content was hard to find and the mobile experience was almost unusable.
The challenge wasn’t just to modernize the look, but to reimagine the entire experience for the thousands of people who rely on the site each year to discover events, plan routes and explore Madrid through the lens of literature.
Challenge
After reviewing analytics, user feedback and testing the original site across devices, four key problems stood out:
- The site structure made it hard to find content, especially event schedules.
- The experience broke on mobile, making the majority of traffic struggle to engage.
- Visuals didn’t reflect the cultural significance or energy of the event.
- Navigation patterns were inconsistent, requiring extra clicks and confusion.

Design Process
Objectives
To address these issues, I established three main design principles:
- Accessibility: Everyone should be able to find, navigate and attend events with ease.
- Cultural Representation: The design needed to visually echo the identity of the event: literary, modern and vibrant.
- Scalability: As the event grows, the platform must grow with it.
Homepage
I started with the homepage, the first impression for most visitors. I integrated the thematic video directly on the landing page to communicate the festival’s tone and message, paired with clear, actionable links. Content that had been buried in inner pages was surfaced prominently and the new layout used a strong visual hierarchy that prioritized date, location and navigation.


Special Events
Previously hidden behind dropdown menus, special events were redesigned with persistent on-page navigation and consistent visual cards. Each card followed a standard format, making browsing faster and visually coherent across devices and categories.


Activities
The activities section needed to serve two kinds of users: those browsing by theme and those searching by location. To meet both needs, I built a combined filtering and map interaction system. Users could apply filters by genre, format, or venue and see results update in real-time on both the list and the map.
The activity cards were redesigned to be responsive and touch-friendly, with key details like time, location and age groups easily scannable.



Press Section
The press page was restructured for clarity. Instead of a dense list of links, I created a simple, editorial-style layout that made materials easier to find and more appealing to media outlets. This redesign helped increase media coverage ahead of the event.


Mobile Experience
Since most traffic came from mobile devices, I prioritized this experience from the start. I redesigned the menu system to use full-screen overlays, making navigation clearer and more accessible. Interactive elements were re-sized and spaced to meet WCAG standards for touch accessibility and every component was tested across common breakpoints.








Development
Approach
I developed the front-end with reusable components using semantic HTML, modern CSS and JavaScript. Every element was designed to be accessible, fast and lightweight. Key priorities included performance, clarity and low-maintenance structure.
Data Migration
One of the biggest transformations was migrating all event data into a Supabase PostgreSQL backend. This allowed us to:
- Securely manage event info
- Enable efficient filtering and sorting across multiple criteria
- Empower non-technical staff to update event content through the admin panel
This shift eliminated the need to hard-code event updates every year and set the foundation for long-term sustainability.
Limitations
An unexpected challenge was that part of the legacy website had been built in Microsoft Expression Web, a long-deprecated WYSIWYG editor. I had to reverse-engineer the output, implement responsive patterns manually and find ways to bridge modern JS with its older structure, all without breaking existing dependencies.
While not ideal, working within this constraint forced creative, scrappy problem-solving and ensured the updated experience could launch without a full system overhaul.
Results
Impact
The redesign was launched ahead of the 2025 edition and immediately improved user engagement and usability across all platforms.
- Navigation issues dropped significantly, with fewer support requests from visitors and partners.
- User engagement improved, especially on mobile, where bounce rates dropped and time-on-site increased.
- Press coverage increased due to the more navigable, on-brand media section.
- Internal updates became easier, thanks to the Supabase setup that allowed organizers to manage content without touching code.
Key Learnings
This project reinforced how much cultural institutions benefit from user-centered design, not just in looks, but in how clearly they communicate and serve their audiences.
Some key takeaways:
- Structure matters more than style,but both are essential to reflect cultural value.
- Even a “small” project benefits from a proper backend, especially when content needs to scale.
- Accessibility isn’t optional, it improves the experience for everyone, not just edge cases.
- Legacy tools shouldn’t stop good UX, they just demand a bit more creativity and patience.